There is something about a church that transports me through time and deposits me at an older version of myself. I step through the doors and past habits and attitudes flood my senses and course through my body. I was raised Christian and, since then, I moved onto a mixed bag of spirituality. I found it impossible these past years on the road not to identify with other cultures and religions as I met so many new people and stories and perspectives.
And although I love the temples of Asia — so much — last month I talked about the vestiges of my own history that are so much more identifiable when I wander the streets of Europe. New wisdoms cedes the floor to customs and traditions ingrained in me since birth. The familiarity of a church washes me in calm; I give myself permission in holy places to release life’s stresses and the hurts. It’s the act of entering the church, not the service. It’s the learned behavior that here, in this special place, you can reflect and release. Going to church was not the point of my visit, I was there for the Gaudí architecture, but the by-product of visiting the Basílica de la Sagrada Familia in Barcelona, Spain was a visit to church — no doubt an activity that made my grandma sigh in relief.
The Basilica is the crowning jewel of Barcelona; it’s the shining beacon of all touristy visits to the city. With two days free in Spain’s Costa Brava, I decided to play tourist. I was speaking at a conference in Girona, but I couldn’t pass the chance to finally experience Barcelona. Two days isn’t long, and having a speech to prep, I did only the bare minimum research. When visiting La Sagrada Familia, I knew two key facts: 1) it’s still under construction and 2) Antoni Gaudí designed it has his masterpiece. Gaudí was a Spanish architect known for his highly stylized interpretation of early 1900s Modernism. After taking a chocolate tour of the city in the morning, I started a long walk in the drizzling rain to make my late-afternoon appointment at the church (my hostel brilliantly recommended that I pre-purchase my ticket online — more insider tips at the end). I could have used the metro and buses, but the solitude and weather matched my mood that day. It was late September, and I had left my niece Ana home in the States while we decided if I would continue homeschooling her from the road.
For the first time in a year, I was back to traveling solo and my tourist map of the city had little cartoon buildings pointing my way to the church, indicating other buildings Gaudí had designed. I weaved through the lanes, lost in the pulse of city life. When I spotted a tiny nook of a café, I passed the rest of time with a hot Americano and my journal. It’s an interesting way to understand a city, to find a side-street and sit with locals. Eventually, with my time slot on the horizon, I walked toward the eight massive, intricate towers marking La Sagrada Familia (and I worried I would get lost!). Unlike any church I had seen before, the curious shapes, curves, and figures lining the façade became gradually clearer as I walked.
I don’t know the exact moment the church hooked me, but my fascination with the building surprised me. At times on my travels I get fatigued by sightseeing, but if there is one thing that calls to me, it’s passion. Passion and creativity are twin elements that I lament when they ebb from my own life, so as I wrapped the audio-guide around my head and absorbed myself in the story of a donation-funded church constructed over the span of more than century. A church so grand in concept, design, and style that it would become a the magnum opus of a century, not just a single artist.
Gaudí is but one architect on the project, but it was his passion that fueled the building of such a bizarre homage to the Gothic and Art Nouveau architecture of years past. He left plans for the entire basilica for the architects who would come after him — he worked on La Sagrada Familia from 1883 until his death in 1926. I am neither an art buff nor a student of architecture, but I found it impossible to stay impassive when viewing the complex scenes depicted on the Nativity façade. In stark contrast, the Passion façade offers a gaunt, and darker depiction.
The Nativity Façade, designed by Gaudí:
The Passion Façade, designed by Josep Maria Subirachs:
The inside is exquisite, too.
The ceiling is so extraordinary that I very nearly caved into my desire to lay flat-out on the floor and get lost in the flowing tiers and spires (that would have totes broken social protocol though). Instead, I craned my neck and gawked to the descriptions on my audio-guide. Each footfall inside the church brought into view new twisting, tree-like columns branching out as they climbed upward. Each heartbeat allowed a glimmer of sunlight to dapple through into the interior, as if bathing me in the warm breeze of an orchard.
I spent the better part of my afternoon wandering the huge church, then below in the museum looking at the plans and miniature projections of the completed project. Thanks to the magic of computers and technology (which Gaudí did not factor into his two-century timeline for completion of his masterpiece), La Sagrada Familia could be done as early as 2026. (I revisted the church five years later, in 2017, and the architects had made startling progress on the windows and interiors, as well as several of the towers!).
When I emerged from the church, I soaked in the late afternoon sunshine. The welcome change in the weather matched my lifted spirits. I felt lighter after immersing myself so completely in learning about how one man’s creativity and religious fervor could compel him to funnel his passion so narrowly into a project that would affect millions of people and span several centuries.
It blew my mind.
The scope of his vision, the faith that people would continue donating to finish the church, the drive to work with such focus on a single project — I left both awed and envious. And I left living in a wider world, a world with more possibilities for those with the drive to follow a passion through to the end. I bid adiós to the church, but really more of a “see you in 20 years,” when I’ll be back to see Gaudí’s completed magnum opus.
How: Book ahead through the official site and print your ticket. This was the best advice and help I received by far. You choose an hourlong time window to visit the church and you bypass the huge queue with very quick access. The towers were not open on my first visit because of the rain, so I was only able to do that on my return in 2017. You can and must pre-book this as well — the tower view time slots go very quickly, so book at least two days ahead of time if that is your plan.
How much: There are several options you can pay for; I paid to enter the church and the museum, as well as an audio-guide (worth the price in my opinion). On my return visit in 2017, my niece and I booked a ticket up the Façade (so worth it! The views are gorgeous and it’s an inside look behind the scenes of the church’s inner workings). As of 2017, it costs €15 for a basic ticket to enter the Basilica, €22 for the audioguide and museum too, and €29 to go up a tower and have an audioguide (if you book a tower view ticket, do not be late for your appointment time. (current prices)
Where: It’s a long walk from the downtown Gothic quarter of Barcelona, but I managed it both ways and stopped at the other Gaudí spots on the way. There is a metro stop and what-not, but I did not use it.
When: On recommendation from my hostel (they helped me buy and print my ticket), I took a 4 pm time slot, which was fairly calm (though there was a queue for those without pre-purchased tickets). I was there for over an hour listening to the audio-guide and wandering; it was relatively uncrowded at the end of the day. My photos also came out better by not visiting at high-noon.
Plan and Learn: Every place is more interesting with back story; read a Guadí biography before you visit for a deeper perspective on this world-famous architect. This beautiful photographic collection showcases his work. And if you’re staying in Spain for a bit, consider the Spanish Lonely Planet as your guide, it was my go-to on both visits.
This post was last modified on September 29, 2017, 12:00 pm